Thursday, 10 June 2010
Wednesday, 9 June 2010
As part of the project, members of peer sessions were invited to submit a short film of 5 minutes or less which they had produced in response to the setting of rules or limits of some kind. These were screened on Friday 28th May at the gallery as part of Deptford last fridays.
The concept of using reduced means and imposed rules as facilitators for artistic production, via the setting of instructions by an outside party, in this case an established artist, with the emerging artist working in an assistant like role, has been key to the project. With the selected works for the screening, the artists themselves had set their own instructions, which gave an insight into their particular working methods.
Many thanks to Rachel Russell for putting the selection together.
Hyemin Son My Flag, 2007
Rosemary Little The Hollywood Collection, 2010
The War Boutique bak 2 skool, 2009
Melissa Bugarella BLACK FIRE, 2010
Georgia Rodger Music box, 2010
Sabrina You Don’t know What You Are Missing, 2010
Jihye Park I Am Getting To Know You Better All The Time, 2010
Rachel Russell Untitled (feat. Sean Price), 2009
Chinmoyi Patel 22 Chronicles of my favourite pastime no. 8, 2007
Kristen Lovelock The Hangover, 2010
Tuesday, 8 June 2010
Thursday, 3 June 2010
Sure, whenever you can make it over would be fine. These are a few quick snaps I took on my way out the door today. I would say I'm a little more than halfway there on this piece. I've suspended a large turtle shell by rope from the ceiling which is secured to the wall behind it. The underside of the shell has a bony spine which I have carved about 8 additional holes into and strung video cassette tape through .... trailing across the floor into a large pile on the other side which is a combination of the tape and 50 black mesh vests. In the pics they blend into the cassette material unfortunately. I have another 30 cassettes of video material to add to give the sculpture more mass.
Something feels awkward about the installation, but then again the room is a strange shape and the ceiling very low with interference from lighting etc. Perhaps I have done the best I can with the space. I'm wondering if this is enough for the show?! I will have one of the tyres I'm covering with beans (incomplete) on show in the gallery window I've decided. When I go tomorrow perhaps it will all be clear, but I'm not panicked if it doesn't resolve itself fully by the opening. Let's pick it apart a bit to indulge in the exhibition's premise a bit and perhaps make some good decisions to benefit the work.
Speak to you tomorrow!
install in progress
Gordon > Blue:
I think it’s looking really good so far. I can see what you mean about the awkwardness and wondered if it might be to do with the shell being close to the wall in relation to how much video tape is trailing. At the moment there is a nice sense of implied motion of the turtle being dragged and leaving all the entrails of the video tape. The implied amount of remaining space for it to be moved/dragged might be something to think about. Would having the ceiling hook a bit more centralised help?
Can the lighting be removed? Perhaps use only what you need to dramatically light and just take out anything else that isn’t required.
Can’t really gauge a sense of the gallery space from the pictures so I suppose I will have to wait to see it tomorrow but it looks from the snaps to be a strong work.
Talk to you then!
Tuesday, 1 June 2010
Update from Gordon and Blue's Dialogue
"One of the first things that I suggested during our 3 hour meeting was to show unfinished work or a kind of installation of a studio in progress. The branches of ideas that come from that involved ideas to do with theatre, drama, perhaps an installation driven by narrative. But it did not seem to be an idea you was interested in so we moved on. We also spent time discussing your star-shaped tin cans and blue material as something that you wanted to explore for it’s decorative and pleasurable qualitites but that in it’s current state of ideas was too undeveloped. However it triggered a discussion that involved use of space more consciously. For example; the blue material being a farily obvious metaphor for the ocean pushed slightly ‘ruffled’ against the wall. A minimal gesture perhaps akin to Felix Gonzales Torres – beautiful, poetically succinct and even politically timely with the oil spill. If you remember I also suggested ‘attacking’ the space......spearing it with the diving spears that you had in your studio and to play on the name of the gallery - Literally ‘skewering’ Bearspace – a kind of violent minimalism. I was searching for ways to discuss heightening existing strains and themes in your work while figuring out if it really was a direction that you wanted to extend into.
The most important thing for me was to find out if any ‘rule’ that I set out was really something you wanted to do. From the outset I had no interest in ‘assisting’ someone do something that they did not believe in or wanted to really pursue.
I look forward to seeing the results and hearing more about the ideas over the course of your installation.
The creative process in the context of this project is precisely all of this discussion".